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德拉克的回归
- 主演：拉多万·卢卡夫斯基 古斯塔夫·瓦拉赫 艾米丽娅·瓦萨约娃 威廉·波洛尼 Jela Buckova Jozef Cierny Pavel Chrobak 米库拉斯·洛迪津斯凯 Ivan Macho Ján Mildner Andrej Mojzis Jan Pelech 卢多维特·赖特尔 斯特凡·克维季克 Milan Mach
- 导演：爱德华·格莱纳
- 分类：剧情片
- 地区：其它
- 年份：1968
- 更新：2026-04-07 21:38:24
- 简介：
与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).“我看到云初和那个男人说话，似乎很熟的样子，不过在云初快要上车时，又甩开了对方的手，扭身要走，就被对方劈晕了。”
德拉克的回归演员表：拉多万·卢卡夫斯基 古斯塔夫·瓦拉赫 艾米丽娅·瓦萨约娃 威廉·波洛尼 Jela Buckova Jozef Cierny Pavel Chrobak 米库拉斯·洛迪津斯凯 Ivan Macho Ján Mildner Andrej Mojzis Jan Pelech 卢多维特·赖特尔 斯特凡·克维季克 Milan Mach
德拉克的回归播出时间：1968
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曼靑发表于: 166小时前唐季礼的这部《德拉克的回归TS在线观看》不仅为成龙刷开了北美的大门，也为接下来的《德拉克的回归TS在线观看》打下了基础，虽然影片不存在故事，但动作场面一出来就吊打好莱坞太多动作片，成龙跳车跳楼跳船跳海的玩命依旧让人震惊，气垫船毁坏战也是超级刺激，但全片除了够商业外也没剩什么，而且莫名其妙下到个美版的，剪得还真烂
雨妖发表于: 23小时前当年海瑟薇介入斯特里普的女强人生活，现在德尼罗反侵海瑟薇的生活……其实有点野心的，想讨论事业女性和长不大一代的问题，但浮了点。我挺喜欢海瑟薇，但她的每个小表情都有种演练好了放出来的感觉，尤其跟德尼罗那份从容自在相比。另外德尼罗真的好帅……………- 左胸上的吸盘发表于: 139小时前情节老套，人物扁平，表演夸张，叙事繁琐、冗长，英雄史观、血统思想扯蛋，无论中美还是欧陆风格来拍都会让人不能忍，但集于印度歌舞片中效果出群。
- 只有霸王发表于: 4小时前跟《德拉克的回归原创视频在线观看》一样，调子从首部的田园诗游记逐渐幽暗狰狞化了；《德拉克的回归原创视频在线观看》好歹两场胜仗作结，这里更瘆人一些。巨龙真是太寂寞，手不停脚不停嘴不停，跟咕噜有一拼。最惊喜的还是看见：莱苟拉斯居然还会用短刃战斗啊——《德拉克的回归原创视频在线观看》里他可是远近皆箭，急了就用箭戳人的。
- davekozg发表于: 194小时前一件小事拍出这个长度的战争片，老谋子可以的。终于懂小米加步枪胜利的原因，铁的纪律不怕牺牲，装备不行，人手少，咱靠智慧补足。中美德拉克的回归BD720P版在线观看的专业技术上都不差，但就为国家牺牲这一点，我军无敌。2022，开年看《德拉克的回归BD720P版在线观看》，值。